Selasa, 28 Juli 2015

Introduction to Environmental Science, by SANDRIN SUSANNAH

Introduction to Environmental Science, by SANDRIN SUSANNAH

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Introduction to Environmental Science, by SANDRIN  SUSANNAH

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Author(s): Susannah Sandrin - Publisher: Kendall Hunt Publishing - Publication date: May 22, 2015 - Language: English - ISBN-10: 1465266704 - ISBN-13: 978-1465266705

Introduction to Environmental Science, by SANDRIN SUSANNAH

  • Amazon Sales Rank: #813031 in Books
  • Published on: 2015-11-10
  • Original language: English
  • Binding: Paperback
Introduction to Environmental Science, by SANDRIN SUSANNAH


Introduction to Environmental Science, by SANDRIN  SUSANNAH

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1 of 1 people found the following review helpful. As required by my class - good book By Bryan Allen Great textbook - a little pricey but it's exactly what I needed for class.Amazon's packaging wasn't great, the book arrived with bent corners and dinged up but that doesn't take away from the content.

0 of 0 people found the following review helpful. This book doesn't have an index. This makes research/referencing ... By D. Chavez This book doesn't have an index. This makes research/referencing a little more difficult but it does have a table of contents.

0 of 0 people found the following review helpful. College book By William Pritchard It's a text book. It's the right text book. Nothing more need be said

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Introduction to Environmental Science, by SANDRIN SUSANNAH
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Minggu, 26 Juli 2015

God and the Gods, by John Greco

God and the Gods, by John Greco

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God and the Gods, by John Greco

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God and the Gods: A Compelling Investigation and Personal Quest for the Truth about God of the Bible and the Gods of Ancient History

God and the Gods, by John Greco

  • Amazon Sales Rank: #2038841 in eBooks
  • Published on: 2015-11-29
  • Released on: 2015-11-29
  • Format: Kindle eBook
God and the Gods, by John Greco

About the Author John Greco is the Leonard and Elizabeth Eslick Chair in Philosophy at Saint Louis University. His previous publications include Putting Skeptics in their Place: The Nature of Skeptical Arguments and their Role in Philosophical Inquiry (Cambridge, 2000). He is also the editor of The Oxford Handbook of Skepticism (2008), Sosa and his Critics (2004) as well as co-editor of Rationality and the Good (2007) and The Blackwell Guide to Epistemology (1999).


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1 of 1 people found the following review helpful. Interesting concept which may be true By john greco Great book, shows how we may have been misled on human creation. Old history we have never been told for some reason.

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Jumat, 24 Juli 2015

The Citizen of the World, Vol. 2: Or Letters From a Chinese Philosopher, Residing in London, to His Friends in the East (Classic Reprint)

The Citizen of the World, Vol. 2: Or Letters From a Chinese Philosopher, Residing in London, to His Friends in the East (Classic Reprint), by Oliver Goldsmith

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The Citizen of the World, Vol. 2: Or Letters From a Chinese Philosopher, Residing in London, to His Friends in the East (Classic Reprint), by Oliver Goldsmith

The Citizen of the World, Vol. 2: Or Letters From a Chinese Philosopher, Residing in London, to His Friends in the East (Classic Reprint), by Oliver Goldsmith



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Excerpt from The Citizen of the World, Vol. 2: Or Letters From a Chinese Philosopher, Residing in London, to His Friends in the EastIn every letter I expect accounts of some new revolutions in China, seme strange occurrence in state, or disaster among my private acquaintance. I open every pacquet with tremulous expectations, and am agreeably disappointed, when I find my friends and my country continuing in felicity. I wander, but they are at rest; they surfer few changes but what pass in my own restless imagination; it is only the rapidity of my own motion gives an imaginary swiftness to objects which are in some measure immovable.Yet, believe me, my friend, that even China itself is imperceptibly degenerating from her ancient greatness; her laws are now more venal, and her merchants are more deceitful than formerly; the very arts and sciences have run to decay.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Citizen of the World, Vol. 2: Or Letters From a Chinese Philosopher, Residing in London, to His Friends in the East (Classic Reprint), by Oliver Goldsmith

  • Published on: 2015-09-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .46" w x 5.98" l, .65 pounds
  • Binding: Paperback
  • 216 pages
The Citizen of the World, Vol. 2: Or Letters From a Chinese Philosopher, Residing in London, to His Friends in the East (Classic Reprint), by Oliver Goldsmith

About the Author 1730?-1774


The Citizen of the World, Vol. 2: Or Letters From a Chinese Philosopher, Residing in London, to His Friends in the East (Classic Reprint), by Oliver Goldsmith

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1 of 1 people found the following review helpful. Biting Satire Under the Guise of Rationality By Martin Asiner Lien Chi Altangi is a Chinese visitor to England who tours the country and passes witty judgments on Englishmen and their mores which he sends back to Peking in the form of letters. Tonight, he and a companion, identified only as the Man in Black, attend a live theater performance. Letter XXI contains his impressions of that performance. He begins by noting that though both the English and Chinese dearly love their theater, their respective cultural attitudes toward dramaturgy point out some vast ideological differences. English theater is performed indoors, at night, and is of short duration. Chinese theater is acted outdoors, in the daylight, and is of very long duration. The Man in Black is a regular in several of Altangi's letters, and he is often used as a mouthpiece to counterbalance what Altangi sees as invariable laws of nature in China, but elsewhere as in England these laws are quite variable. What catches Altangi's eye is the seating of the spectators. The cheapest seats occupy the highest level, a fact that astonishes him in that the reverse is true in China. Those who sit in such seats act loudly, often speaking both to one another and to the performers. The middle seats, more expensive than the former but cheaper than the highest price lodgings, hold those who seem to enjoy eating oranges as least as much as watching the show. Then there are the most expensive seats, filled by the affluent who sit in the lowest rows. Such wealthy theater-goers act more nobly if not haughtily: "They seemed to consider themselves as judges of the merit of the poet and the performers." Their collective attitudes reveal their inherent belief that the clods who sit above them are cretins, and that only true patrons of the arts, like themselves, may harbor elevated theatrical discernment. Altangi's exalted opinion of the affluent's grasp of histrionics is tempered by the Man in Black's snide comment that "not one in an hundred of them knew even the first principles of criticism" Such self-appointed critics of the arts hold that position only by default since "there was none to contradict their pretensions." Altangi's view of everyone in the audience ranged from incredulity to disgust. Those misguided souls who wished to interact with the performers were in his opinion "acting parts in dumb show, not a curtsey, or nod, that was not the result of art; not a look nor a smile that was not designed for murder." He is clearly upset with their amatory habits of public displays of affection: "Gentlemen and ladies ogled each other through spectacles." When the play begins (possibly a reference to John Home's Douglas (1757)), the actors enter, and Altangi shows surprise at the applause shown, a custom which seems absurd to him. The first actor on the stage is the queen who receives much loud applause. It seems incongruous to Altangi that the queen is receiving what he deems undeserved plaudits from the audience. She weeps and laments over issues that he considers trifles. The king enters and shows physical affection, which she quickly rejects. Altangi wonders why the king lacks a certain amatory discretion. For no reason at all, a third actor enters the stage, balancing a straw upon his nose. Altangi hears the crowd applaud noisily and cannot comprehend the logic behind this. The Man in Black unhelpfully replies: "This is one of the most important characters of the whole play." Altangi still sees no reason for the straw on the nose. At the beginning of the third act, a self-professed villain struts on stage, loudly proclaiming his villainy. Altangi notes that in Chinese drama, all villains are far more circumspect about their evil intentions. Following the entrance and exit of the villain, a child of six years strolled on stage and inexplicably began to dance, an act "which gave the ladies and mandarins infinite satisfaction." Puzzled yet once again, Altangi can conclude only that "Dancing being, I presume, as contemptible here as it is in China." The Man in Black counters that "Dancing is a very reputable and genteel employment." The higher that a dancer can kick, the greater will be his salary, he sagely advises. In the fourth act, the queen produces her son and promptly tells the audience that her son would be a better king than her husband. When her husband learns her intentions, he orders the immediate execution of the son. The queen faints as the curtain drops. In the concluding fifth act, there is no further mention made of any of these plot complications, so Altangi has no knowledge of their collective lamentable fates. As Altangi walks out of the theater, he tries to make some sense of the performance. The entire cast seemed afflicted with an endless series of ill-conceived woes. He asserts that English tragedies are overly focused on divergent passions. Chinese dramatists more properly assign subordinate and logical passions at precisely the right moment. After reaching this conclusion, Altangi bids his companion good night and heads home. In the many letters that comprise The Citizen of the World, Oliver Goldsmith, using the persona of a Chinese traveler to England, examines English society and customs in a way that permits him to stick satirical barbs into a myriad of inviting targets. Goldsmith was well aware of the reputation for logic and reason that the Chinese were reputed to possess. Thus, however outrageous were the comments of Altangi, Goldsmith assumed that his readers would not be so quick to dismiss their veracity and applicability. In Letter XXI, Goldsmith examines what he saw as some eccentricities of the English stage. In Altangi's view, Goldsmith forces his readers to examine their beloved stage productions as they might have appeared to those thoroughly disposed to reason and logic. Goldsmith spares no aspect of the English stage. From the length of the typical English tragedy to the structure of the theater and finally to the spectators observing a weird blend of drama and melodramatic nonsense, Goldsmith exposes the unbalanced underside of a theater of which even cultured Englishmen may have been blissfully unaware. Many of Altangi's comments smack of biting satire, especially since these comments seem so naturally articulated that they are voiced in the persona of one who is in logical command of his thoughts. The Man in Black is the counterweight to Altangi, with the former representing the attitudes of orthodox English society. Goldsmith limits the comments of the Man in Black to unsuccessful retorts to the infinitely more reasonable views of Altangi. Goldsmith also cannot resist taking several cheap shots at his most reviled of targets--literary critics. As he comments on the loud diatribes of the supposedly educated elite who hurl unwanted and unintelligible vitriol from their expensive seats at the stage actors, Goldsmith clearly has in mind those critics who do likewise from the comparable safety of their assorted theater reviews. In this letter, as in nearly any of his other writings, Goldsmith shows a shocking lack of self-awareness in that he was the identical sort of critic that he savaged routinely in those same writings. What readers take away from the totality of letters from his The Citizen of the World is the view of a man who wished to reveal the illogical and often disagreeable underside of a society that he saw as his own but needed to be frequently exposed to the cleansing light of the sun, a process that could be achieved only through his pen.

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The Citizen of the World, Vol. 2: Or Letters From a Chinese Philosopher, Residing in London, to His Friends in the East (Classic Reprint), by Oliver Goldsmith
The Citizen of the World, Vol. 2: Or Letters From a Chinese Philosopher, Residing in London, to His Friends in the East (Classic Reprint), by Oliver Goldsmith

Kamis, 23 Juli 2015

Curiosities of the California Desert: Historic, Offbeat & Forgotten Attractions,

Curiosities of the California Desert: Historic, Offbeat & Forgotten Attractions, by Claudia Heller

Spend your time also for just few mins to check out a book Curiosities Of The California Desert: Historic, Offbeat & Forgotten Attractions, By Claudia Heller Checking out a book will certainly never decrease as well as lose your time to be useless. Reading, for some individuals come to be a requirement that is to do daily such as spending time for consuming. Now, what about you? Do you prefer to check out a book? Now, we will certainly show you a brand-new e-book entitled Curiosities Of The California Desert: Historic, Offbeat & Forgotten Attractions, By Claudia Heller that can be a brand-new means to check out the expertise. When reviewing this publication, you can obtain one point to always remember in every reading time, even pointer by step.

Curiosities of the California Desert: Historic, Offbeat & Forgotten Attractions, by Claudia Heller

Curiosities of the California Desert: Historic, Offbeat & Forgotten Attractions, by Claudia Heller



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One might not expect to find much in the middle of California’s hot, dry deserts. But to the curious explorer, they’re scattered with strange and extraordinary sights. On old Route 66, the desert traveler can find quirky roadside art and mementos left by motorists. In the El Paso Mountains of the Mojave, the daring adventurer can crawl through a tunnel that was hand dug by an old prospector named Burro Schmidt. In Landers, the weary wanderer can enjoy a rejuvenating “sound bath” in an acoustically perfect dome supposedly designed by aliens. From astounding natural wonders to remnants of ancient civilizations and the Wild West, discover treasures of history, puzzling mystery and uncommon eccentricity alongside seasoned road trippers Alan and Claudia Heller.

Curiosities of the California Desert: Historic, Offbeat & Forgotten Attractions, by Claudia Heller

  • Amazon Sales Rank: #1421491 in eBooks
  • Published on: 2015-10-05
  • Released on: 2015-10-05
  • Format: Kindle eBook
Curiosities of the California Desert: Historic, Offbeat & Forgotten Attractions, by Claudia Heller

About the Author Claudia Heller grew up in Hollywood, California, and graduated from Los Angeles City College with a degree in journalism. She has served as president of the Duarte Historical Society and Museum and writes a bimonthly column for the San Gabriel Valley Newspaper Group in the Pasadena Star News. Her columns cover people, events and history of the Duarte area. She is the author of two previous books by the History Press, Life on Route 66 and Duarte Chronicles. Alan Heller is past president of Duartes Public Access Channel and a former commissioner of the Duarte Parks and Recreation, Planning and Community Service Commissions. He is a member of the L.A. Westerners Corral of History Writers and the Ancient and Honorable Order of E Clampus Vitus. He was co-author and photographer of Life on Route 66, published by The History Press. His photography has appeared in Westways Magazine, Skin Diver Magazine, Route 66 Magazine and various other publications.


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0 of 0 people found the following review helpful. A must read when traveling in California! By Joe Zeigler This is a lovely book authored with a tremendous amount of work and the love of doing it. After numerous trips to California I am astounded to discover how much I missed from Wyatt Earp's home to the Mountain of Silver (The Lost Gunsight Mine). There is even a section on Historic Oases.The photography is outstanding with many in color. And, the writing is articulate, witty, educational, and entertaining.If you are planning to spend any time in California this is a must read. But, even if you aren't in California it is still a fun book and you'll be inspired to visit.Curiosities of the California Desert:

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Curiosities of the California Desert: Historic, Offbeat & Forgotten Attractions, by Claudia Heller
Curiosities of the California Desert: Historic, Offbeat & Forgotten Attractions, by Claudia Heller

Minggu, 19 Juli 2015

The Frog 2016 Wall Calendar, by Aberdeen Stationers

The Frog 2016 Wall Calendar, by Aberdeen Stationers

In checking out The Frog 2016 Wall Calendar, By Aberdeen Stationers, currently you may not likewise do conventionally. In this contemporary age, gizmo as well as computer system will help you so much. This is the time for you to open up the device and stay in this website. It is the right doing. You can see the link to download this The Frog 2016 Wall Calendar, By Aberdeen Stationers right here, cannot you? Simply click the link and negotiate to download it. You could reach acquire guide The Frog 2016 Wall Calendar, By Aberdeen Stationers by on-line as well as all set to download. It is really various with the conventional method by gong to the book store around your city.

The Frog 2016 Wall Calendar, by Aberdeen Stationers

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The Frog 2016 Wall Calendar, by Aberdeen Stationers

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The twelve stunning illustrations in this gorgeous, full-color wall calendar capture the sublime and playful spirit of the frog. Photos are accompanied by monthly grid calendars listing U. S. holidays. Ample space is provided each day for noting birthdays, anniversaries, and other occasions and appointments. Measures 11” x 17” when open.

The Frog 2016 Wall Calendar, by Aberdeen Stationers

  • Amazon Sales Rank: #2859224 in Books
  • Published on: 2015-11-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .7" w x 8.50" l, .24 pounds
  • Binding: Calendar
  • 26 pages
The Frog 2016 Wall Calendar, by Aberdeen Stationers


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0 of 0 people found the following review helpful. It was a gift and my grandmother liked it a lot By Thundercat81 It was a gift and my grandmother liked it a lot. 4 stars because there was no holes to hang it up in the wall and she said it was in a book form.

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Sabtu, 18 Juli 2015

Heretics, by G. K. Chesterton

Heretics, by G. K. Chesterton

Even the cost of a book Heretics, By G. K. Chesterton is so affordable; lots of people are actually stingy to allot their cash to buy guides. The other factors are that they feel bad and have no time to visit the book store to search guide Heretics, By G. K. Chesterton to check out. Well, this is modern era; many books could be obtained effortlessly. As this Heretics, By G. K. Chesterton as well as a lot more books, they can be entered quite quick methods. You will certainly not need to go outdoors to obtain this e-book Heretics, By G. K. Chesterton

Heretics, by G. K. Chesterton

Heretics, by G. K. Chesterton



Heretics, by G. K. Chesterton

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The opening salvo in G. K. Chesterton’s war against vagueness, affectation, and group think in life and art Part literary criticism, part jeremiad, and part metaphysical inquiry, Heretics is G. K. Chesterton’s groundbreaking attempt to cull the values, belief systems, and moral peccadilloes of his day. The twenty articles and essays included in this seminal work shed a brilliant light on the most profound mysteries of human nature.   From the works of H. G. Wells, George Bernard Shaw, and Rudyard Kipling to “The Fallacy of the Young Nation” and “The Mildness of the Yellow Press,” Chesterton casts a critical eye on the prevailing attitudes of the early twentieth century. He is at the height of his lucidity and sardonic power in Heretics, formulating a highly influential worldview that he would continue to develop in the acclaimed companion volume, Orthodoxy.   This ebook has been professionally proofread to ensure accuracy and readability on all devices.

Heretics, by G. K. Chesterton

  • Amazon Sales Rank: #1408690 in eBooks
  • Published on: 2015-09-22
  • Released on: 2015-09-22
  • Format: Kindle eBook
Heretics, by G. K. Chesterton

Review Heretics is one of Chesterton s most important books. It is also one of his most neglected books. Perhaps the reason has to do with the title. The word heretic conjures up frightful images of controversial characters being barbecued for their beliefs. It smacks of intolerance. The very word dogmatic is perceived as being intolerant. But Chesterton says that man is the animal who makes dogmas. Trees have no dogmas. Turnips are singularly broad-minded. There is something ironic about tolerance being an ideal, and that it is connected to religious freedom. In reality, tolerance has done more to suppress religion than has any persecution. It has left us not only afraid to debate about our beliefs, it has made us afraid even to discuss them. As Chesterton says, We now talk about the weather, and call it the complete liberty of all creeds. This strange silence about religion leaves the impression that religion is not important. There is one thing that is infinitely more absurd and unpractical than burning a man for his philosophy. This is the habit of saying his philosophy does not matter, and this is done universally in the twentieth century... A man s opinion... on Botticelli matters; his opinion on all things does not matter. Chesterton says that we can t get away from the fact that we have a general view of existence, whether we like it or not. It affects and involves everything we say or do, whether we like it or not. And our general view of things is based on our ultimate view of things. Religion is never irrelevant. This book is not an attack but a defense, a defense of the ancient truths that are under attack by modern heretics. Chesterton claims to have gained a deeper appreciation of the Christian Faith through the simple exercise of defending it. He says he never realized the great philosophic common sense of Christianity until the anti-Christian writers pointed it to him. Heresy, it turns out, is usually a distinct lack of common sense. A heresy is at best a half-truth, but usually even less than that. A heresy is a fragment of the truth that is exaggerated at the expense of the rest of the truth. The modern world praises science and hygiene and progress. These are all very well and good, but they have been elevated at the expense of larger truths, such as faith and tradition and permanent ideals. In this book, Chesterton takes on George Bernard Shaw, H.G. Wells, and other heretics whose names may not be familiar, even if their heresies are still exceedingly familiar. The original objection to Heretics, which in fact compelled Chesterton to write Orthodoxy, is that his own criticisms of others were not to be taken seriously unless Chesterton himself declared what he stood for. This is perhaps why Heretics is considered the negative for which Orthodoxy is the positive. But any reasonable reader can see that Chesterton s criticisms are a defense of a well-defined position. By criticizing moral and artistic relativism, he is defending identifiable and absolute standards. By criticizing egoism and the cult of success, he is defending humility. By criticizing skepticism, morbidity and muddle-headedness, he is defending faith, hope, and clarity. Clarity. The truth which Chesterton is defending should be obvious. But because Chesterton has to defend it, it obviously isn t obvious. The heretics have obscured the truth, they have distracted us, they have won us over with lies. The first lie is that truth doesn t matter. --Dale Ahlquist, American Chesterton Society

About the Author G. K. Chesterton (1874–1936) was a prolific English journalist and author best known for his mystery series featuring the priest-detective Father Brown and for the metaphysical thriller The Man Who Was Thursday. Baptized into the Church of England, Chesterton underwent a crisis of faith as a young man and became fascinated with the occult. He eventually converted to Roman Catholicism and published some of Christianity’s most influential apologetics, including Heretics and Orthodoxy.


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46 of 47 people found the following review helpful. Sparkling Chesterton By Xenophanes Heretics is somewhat neglected in Chesterton's oeuvre, possibly because it is an early work (1905), and many of the writers discussed are out of fashion now. Yet, I believe Heretics contains not only his best writing, but it already establishes the main themes of his life's work.Technically, it is a book of literary criticism, but from an unusual point of view, that of his subjects' philosophy."I am not concerned with Shaw as one of the most brilliant and one of the most honest men alive; I am concerned with him as a heretic--that is to say, a man whose philosophy is solid, quite coherent, and quite wrong." (p. 22)Brilliant though he was, Shaw expected reality to conform to an inhuman ideal:"He has all the time been silently comparing humanity with something that was not human, with a monster from Mars, with the Wise Man of the Stoics, with the Economic Man of the Fabians, with Julius Caesar, with Siegfried, with Superman. Now, to have this inner and merciless standard may be a very good thing, or a very bad one, it may be excellent or unfortunate. but it is not seeing things as they are." (pp. 62-63)This is excellent writing, whether we entirely agree or not. It may be a little unfair to Shaw, but it is fair to life.Chesterton is often called an optimist. But he knew the other side, as anyone reading Alzina Stone Dale's life, The Outline of Sanity, can find out. Joy in living, good beer, conversation, balance, sanity, these were achievements, not just nature.I have managed to find a couple of books by George A. Moore, including his autobiographical novel portraying the Paris of the Impressionists of the 1870s and 1880s, Confessions of a Young Man. One tends to regard it as a memoir, and Chesterton did so. Chesterton attacks his egoism, the interest in the world as related to his own temperament:"We should really be much more interested in Mr. Moore if he were not quite so interested in himself. We feel as if we were being shown through a gallery of really fine pictures, into each of which, by some useless and discordant convention, the artist had represented the same figure in the same attitude. 'The Grand Canal with a distant view of Mr. Moore," "Effect of Mr. Moore through a Scotch Mist,' 'Mr. Moore by Firelight,' 'Ruins of Mr. Moore by Moonlight,' and so on seems to be the endless series." (pp. 131-132)That has to be one of the funniest sentences ever written, and I could barely type it for laughing. A bit later on the page, Chesterton gives his vision of originality:"Thinking about himself will lead to trying to be the universe; trying to be the universe will lead to ceasing to be anything. If, on the other hand, a man is sensible enough to think only about the universe; he will think about it in his own way. He will keep virgin the secret of God; he will see the grass as no other man can see it, and look at a sun that no man has ever known."There is no space to mention all the wonderful writing in Heretics. I will mention his often expressed view of the narrowness of the larger world, where one can choose one's companions, as opposed to the nation, the neighborhood or the family, where one has to take people the way they are, with all their foibles."The best way that a man could test his readiness to encounter the common variety of mankind would be to climb down a chimney into any house at random, and get on as well as possible with the people inside. And that is essentially what each one of us did on the day he was born." (p. 190)As always, Chesterton's ideas are eminently discussable! No commentary of mine could do justice to the variety, wisdom, and good humour in this book. The best thing would be to find a copy and read it.I have the John Lane edition, 1905.

20 of 20 people found the following review helpful. Peculiar to his time and applicaple to ours By Derek M. Foster This book is a sort of prequal to Chesterton's most famous apologetic work, "Orthodoxy." "Heretics" is a collection of papers that Chesterton wrote to expose what he considered to be the unhealthy philosophies of his day. A critic later wrote of this work, "I will begin to worry about my philosophy...when Mr. Chesterton has given us his." Chesterton then wrote the book "Orthodoxy" in response to that comment.With that said, it is well to note that "Heretics" and "Orthodoxy" should be read almost as a single work. From the viewpoint of Chesterton, "Heretics" is the critique of bad philosophy and "Orthodoxy" is the defense of good philosophy.The trouble with "Heretics" is that it is such a local book. What I mean is that this book is a series of analytical criticisms of specific men during that specific time period (late 19th century to early 20th century) and it is easy to miss the points Chesterton makes if you are not familiar with the philosophies and views of the men he is critiquing. That isn't to say this book isn't one Chesterton's finest works. Yet, I would certainly reccomend "Heretics: The Annotated Edition" to anyone who is not very familiar with these particular early 20th century English writers which he is referring to in this book. The annotated edition makes it much easier to see what Chesterton is saying. For although people change over time, philosophies generally remain the same; and that is why Chesterton's criticisms of these philosophies are still relevant. And as stated earlier, this book, in a way, sets up the groundwork for "Orthodoxy," which is still considered a masterpiece; and almost certainly worth reading for anyone who does not understand or sympathize with the sentiment and romance of the Christian faith.

15 of 15 people found the following review helpful. And still undefeated . . . By B. Sherman Heretics is basically a collection of essays written in response to the worldview, socio-political philosophies, and/or religious stances of G.K. Chesterton's contemporaries (like George Bernard Shaw and H.G. Wells). Chesterton enjoyed an ongoing and lively public debate with many of these fellows throughout his writing life. To that end, if you're a Chesterton-fan, you'll enjoy this as much as anything else you've probably read by the undefeated heavyweight champion of linguistic pugilism. If you're not a Chesterton fan (usually because you've yet to hear of the man), this is probably as good a place as any to start. Heretics is the book that sort of necessitated Orthodoxy; a more famous, much-beloved piece.I would recommend this book for those interested in exploring the arena of worldview debate. It isn't a long book, at only about 150 pages. The essay are broken up into nice little chunks that you can read in a half-hour or so, spend some time mulling, and maybe read through again, if you'd like. I could attempt to describe the content of the essay's, but it would take way too long, and I'd fail to do it anywhere near as well the Big Man himself.

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Heretics, by G. K. Chesterton

Heretics, by G. K. Chesterton
Heretics, by G. K. Chesterton

Kamis, 16 Juli 2015

Synge and the Ireland of His Time (Classic Reprint), by W. B. Yeats

Synge and the Ireland of His Time (Classic Reprint), by W. B. Yeats

Why should soft data? As this Synge And The Ireland Of His Time (Classic Reprint), By W. B. Yeats, lots of people also will certainly should get the book faster. But, in some cases it's up until now way to obtain guide Synge And The Ireland Of His Time (Classic Reprint), By W. B. Yeats, also in other country or city. So, to relieve you in finding the books Synge And The Ireland Of His Time (Classic Reprint), By W. B. Yeats that will assist you, we assist you by providing the lists. It's not only the listing. We will certainly offer the suggested book Synge And The Ireland Of His Time (Classic Reprint), By W. B. Yeats link that can be downloaded directly. So, it will not require even more times and even days to pose it and also various other books.

Synge and the Ireland of His Time (Classic Reprint), by W. B. Yeats

Synge and the Ireland of His Time (Classic Reprint), by W. B. Yeats



Synge and the Ireland of His Time (Classic Reprint), by W. B. Yeats

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Excerpt from Synge and the Ireland of His TimeAt times during Synge's last illness, Lady Gregory and I would speak of his work and always find some pleasure in the thought that unlike ourselves, who had made our experiments in public, he would leave to the world nothing to be wished away - nothing that was not beautiful or powerful in itself, or necessary as an expression of his life and thought. When he died we were in much anxiety, for a letter written before his last illness, and printed in the selection of his poems published at the Cuala Press, had shown that he was anxious about the fate of his manuscripts and scattered writings. On the evening of the night he died he had asked that I might come to him the next day; and my diary of the days following his death shows how great was our anxiety. Presently however, all seemed to have come right, for the Executors sent me the following letter that had been found among his papers, and promised to carry out his wishes.May 4th, 1908Dear Yeats,This is only to go to you if anything should go wrong with me under the operation or after it. I am a little bothered about my 'papers'.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Synge and the Ireland of His Time (Classic Reprint), by W. B. Yeats

  • Published on: 2015-09-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .11" w x 5.98" l, .19 pounds
  • Binding: Paperback
  • 54 pages
Synge and the Ireland of His Time (Classic Reprint), by W. B. Yeats

About the Author William Butler Yeats is generally considered to be Ireland s greatest poet, living or dead, and one of the most important literary figures of the twentieth century. He was awarded the Nobel Prize in Literature in 1923.


Synge and the Ireland of His Time (Classic Reprint), by W. B. Yeats

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0 of 0 people found the following review helpful. A fine answer to Synge's affair with the Irish/English fantasy. By JAJ The answer as to the Irish people's reaction to Synge. He was so familiar with their linguistic foibles that they booed him for it.

0 of 0 people found the following review helpful. Yeats does it again. By Monica Mac Connoran Another delightful work by Yeats. Pour yourself a cup of tea and enjoy a leisurely and pleasant afternoon with Yeats.

0 of 0 people found the following review helpful. I didn't order or receive this item. I think ... By LARRY TANNER I didn't order or receive this item. I think I have been hacked or my late wife's daughter is using our account.

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Synge and the Ireland of His Time (Classic Reprint), by W. B. Yeats

Synge and the Ireland of His Time (Classic Reprint), by W. B. Yeats
Synge and the Ireland of His Time (Classic Reprint), by W. B. Yeats

Senin, 13 Juli 2015

Foraging: The Ultimate Beginners Guide To Foraging - Learn How To Identify And Use Medicinal Herbs, Plus 14 Wild Edible Plants You Can Eat T

Foraging: The Ultimate Beginners Guide To Foraging - Learn How To Identify And Use Medicinal Herbs, Plus 14 Wild Edible Plants You Can Eat To Survive In The Wild!, by Jonathan Olson

This is why we advise you to constantly visit this web page when you require such book Foraging: The Ultimate Beginners Guide To Foraging - Learn How To Identify And Use Medicinal Herbs, Plus 14 Wild Edible Plants You Can Eat To Survive In The Wild!, By Jonathan Olson, every book. By online, you may not getting the book establishment in your city. By this on the internet collection, you could locate the book that you actually wish to check out after for very long time. This Foraging: The Ultimate Beginners Guide To Foraging - Learn How To Identify And Use Medicinal Herbs, Plus 14 Wild Edible Plants You Can Eat To Survive In The Wild!, By Jonathan Olson, as one of the advised readings, tends to remain in soft documents, as all of book collections right here. So, you might additionally not get ready for couple of days later to obtain and read the book Foraging: The Ultimate Beginners Guide To Foraging - Learn How To Identify And Use Medicinal Herbs, Plus 14 Wild Edible Plants You Can Eat To Survive In The Wild!, By Jonathan Olson.

Foraging: The Ultimate Beginners Guide To Foraging - Learn How To Identify And Use Medicinal Herbs, Plus 14 Wild Edible Plants You Can Eat To Survive In The Wild!, by Jonathan Olson

Foraging: The Ultimate Beginners Guide To Foraging - Learn How To Identify And Use Medicinal Herbs, Plus 14 Wild Edible Plants You Can Eat To Survive In The Wild!, by Jonathan Olson



Foraging: The Ultimate Beginners Guide To Foraging - Learn How To Identify And Use Medicinal Herbs, Plus 14 Wild Edible Plants You Can Eat To Survive In The Wild!, by Jonathan Olson

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Foraging

The Ultimate Beginners Guide To Foraging - Learn How To Identify And Use Medicinal Herbs, Plus 14 Wild Edible Plants You Can Eat To Survive In The Wild!

“Foraging: The Ultimate Beginners Guide To Foraging - Learn How To Identify And Use Medicinal Herbs, Plus 14 Wild Edible Plants You Can Eat To Survive In The Wild!” is the one-stop resource solution you need to become a better forager and a better survivor. This book is specifically designed to help you expound your knowledge of wild edible and wild medicinal plants. Chances are that you have been ignoring a particular plant just beyond your garden, primarily because you are unware of its usefulness.

The book is divided into chapters, making it easier for you to follow. The various chapters include:

  • Chapter 1 – Foraging Strategies
  • Chapter 2 – The Diet Breadth Model and Decision Making
  • Chapter 3 – How to Identify Medicinal Plant
  • Chapter 4 – Foraging Tools
  • Chapter 5 – 14 Wild Edible Plants for Survival
Download your copy of ”Foraging” by scrolling up and clicking "Buy Now With 1-Click" button.

Foraging: The Ultimate Beginners Guide To Foraging - Learn How To Identify And Use Medicinal Herbs, Plus 14 Wild Edible Plants You Can Eat To Survive In The Wild!, by Jonathan Olson

  • Amazon Sales Rank: #661394 in eBooks
  • Published on: 2015-11-13
  • Released on: 2015-11-13
  • Format: Kindle eBook
Foraging: The Ultimate Beginners Guide To Foraging - Learn How To Identify And Use Medicinal Herbs, Plus 14 Wild Edible Plants You Can Eat To Survive In The Wild!, by Jonathan Olson


Foraging: The Ultimate Beginners Guide To Foraging - Learn How To Identify And Use Medicinal Herbs, Plus 14 Wild Edible Plants You Can Eat To Survive In The Wild!, by Jonathan Olson

Where to Download Foraging: The Ultimate Beginners Guide To Foraging - Learn How To Identify And Use Medicinal Herbs, Plus 14 Wild Edible Plants You Can Eat To Survive In The Wild!, by Jonathan Olson

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1 of 1 people found the following review helpful. i would like to see amazon add something to the descriptor of ... By Amazon Customer save yourself time and money. this book is virtually worthless...not a single picture and the advice they give you is so elementary/basic that it was insulting to me.....i would like to see amazon add something to the descriptor of their books showing whether there are pictures or not. once again not a single photo.....worthless

1 of 1 people found the following review helpful. You'll Have Better Luck Just Reading on the Internet. By Amazon Customer The high ratings are clearly done by people who have never looked at this book.Clover, we're told, grows everywhere. You can cook it. Don't confuse it with poisonous plants.Not even the most basic attempt at describing it is made, let alone a drawing or photo. This book is worse than useless.

0 of 0 people found the following review helpful. Totally worthless By hiwall This is not just a worthless very short book but could actually prove dangerous to some if this is their only book on foraging. I could find no valuable information in this at all.As a sample of what you will find in this book is this from the list of foraging tools. One of the very few suggested items is a rag in case you get dirty hands when foraging. To use the rag wipe your hands on it. The rag may be stored in your back pocket.The three 5 star ratings are all from the same day and just after the this book was published. I REALLY question them.Do not buy this book. If this book is free ignore it.

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Foraging: The Ultimate Beginners Guide To Foraging - Learn How To Identify And Use Medicinal Herbs, Plus 14 Wild Edible Plants You Can Eat To Survive In The Wild!, by Jonathan Olson

Foraging: The Ultimate Beginners Guide To Foraging - Learn How To Identify And Use Medicinal Herbs, Plus 14 Wild Edible Plants You Can Eat To Survive In The Wild!, by Jonathan Olson

Foraging: The Ultimate Beginners Guide To Foraging - Learn How To Identify And Use Medicinal Herbs, Plus 14 Wild Edible Plants You Can Eat To Survive In The Wild!, by Jonathan Olson
Foraging: The Ultimate Beginners Guide To Foraging - Learn How To Identify And Use Medicinal Herbs, Plus 14 Wild Edible Plants You Can Eat To Survive In The Wild!, by Jonathan Olson

Trilogy Box Set (Star Wars: Jedi Academy), by Jeffrey Brown

Trilogy Box Set (Star Wars: Jedi Academy), by Jeffrey Brown

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Trilogy Box Set (Star Wars: Jedi Academy), by Jeffrey Brown

Trilogy Box Set (Star Wars: Jedi Academy), by Jeffrey Brown



Trilogy Box Set (Star Wars: Jedi Academy), by Jeffrey Brown

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This set includes all three books from the NY TIMES BESTSELLING SERIES Star Wars: Jedi Academy. Created by award-winning author/illustrator Jeffrey Brown, this series is a hit for readers of all ages. Whether you're familiar with Star Wars or if you're new to the galaxy, this heartfelt and hilarious adventure follows middle grader Roan as he navigates being a Jedi and dealing with bullies, aliens, robots, and even school dances.

Trilogy Box Set (Star Wars: Jedi Academy), by Jeffrey Brown

  • Amazon Sales Rank: #14955 in Books
  • Published on: 2015-09-29
  • Released on: 2015-09-29
  • Original language: English
  • Number of items: 3
  • Dimensions: 8.70" h x 2.20" w x 5.80" l, .0 pounds
  • Binding: Hardcover
Trilogy Box Set (Star Wars: Jedi Academy), by Jeffrey Brown

About the Author Jeffrey Brown is an Eisner Award winner and NY Times Bestselling author/illustrator of Darth Vader and Son, and Vader’s Little Princess, both imagining what it would have been like if Darth Vader had raised a young Luke and Leia. Jeffrey has created dozens of graphic memoirs, humorous parodies, and cat books. He lives in Chicago with his wife, Jennifer, and his two sons.


Trilogy Box Set (Star Wars: Jedi Academy), by Jeffrey Brown

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2 of 2 people found the following review helpful. ) I highly recommend this book set By Kelly I ordered this for my 9 year old son who hates to read. He loves that it is a mix of comic form, longer pages and pictures. To encourage reading we usually do a system of him reading a couple pages then I will read a page and doing that back and forth. Last night he grabs the book from me and says, "I want to ready it all." I couldn't believe it :) I highly recommend this book set. I hope they come out with more because I will be the first one to buy them!

2 of 2 people found the following review helpful. This is a very good book for kids of star wars parents By Brian guggino This is a very good book for kids of star wars parents; episode 4,5,6... Our family loves it. It is very funny and a graphic, drama on your child's daily life at school; just star wars style. Also, the drawings are good for kids draw and make their own graphic comics. It is an easy & quick read, and great media for parent/kid interaction. The series seems well suited for young readers.

2 of 2 people found the following review helpful. Third Grade Boy Loves Them By CLHMomma My 8-year-old just received these for Christmas and so far he is really enjoying them! He even got up in the morning and started reading on his own, which is saying a lot because normally he goes straight for his electronics. The plots are cute and funny but also tackle real issues that are of interest to school-age kids, such as bullying, friendship, setting goals and fitting in.

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Trilogy Box Set (Star Wars: Jedi Academy), by Jeffrey Brown

Trilogy Box Set (Star Wars: Jedi Academy), by Jeffrey Brown
Trilogy Box Set (Star Wars: Jedi Academy), by Jeffrey Brown

Kamis, 09 Juli 2015

Memories and Milestones (Classic Reprint), by John Jay Chapman

Memories and Milestones (Classic Reprint), by John Jay Chapman

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Memories and Milestones (Classic Reprint), by John Jay Chapman

Memories and Milestones (Classic Reprint), by John Jay Chapman



Memories and Milestones (Classic Reprint), by John Jay Chapman

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Excerpt from Memories and MilestonesLife is a unity in spite of the lightning changes of scene that flash across its vistas, and shock us with an awe inspiring sense of dislocation. Behind all there is a steady, moving power; and the scenes are related. The whole of any life, - the whole of any epoch, - is past and gone in a moment; and, behold, it then appears to be stamped all over with a kind of identity: it is unmistakably one thing. But we cannot peep behind this curtain of the figure and find out what all our present thoughts signify. Therefore anyone who publishes portraits and memories, or who reprints little addresses upon current history, will do well to refrain from any parade of philosophy in a preface. One of the deepest impulses in man is the impulse to record, - to scratch a drawing on a tusk or keep a diary, to collect sagas and heap cairns. This instinct as to the enduring value of the past is, one might say, the very basis of civilization.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Memories and Milestones (Classic Reprint), by John Jay Chapman

  • Published on: 2015-09-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .62" w x 5.98" l, .87 pounds
  • Binding: Paperback
  • 294 pages
Memories and Milestones (Classic Reprint), by John Jay Chapman


Memories and Milestones (Classic Reprint), by John Jay Chapman

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0 of 0 people found the following review helpful. Terrible Production, Good Book By 20011 The publisher chose to OCR the book, which would have been OK had anyone bothered to check it. Nobody did, and there are artifacts such as bad line breaks (quotation marks beginning or ending a line), amusing and annoying misprints--0 B K for Phi Beta Kappa, "Board o$ Visitors", Pa-gliacci', and so on--oddly narrow lines where I suppose a picture must have been, captions included though the photos are gone, "Section 1" through "Section n" rather than the essay titles heading chapters, and no doubt other problems I've forgotten. I'm no expert on copyright, but I don't see why someone shouldn't simply reproduce the page images. That would give a handsomer and more accurate book.Though I dislike the production, I'm glad to have read the essays. The best of them are collected in _Unbought Mind_ (which Illinois has allowed to go out of print), but the essays on President Eliot and Charles Eliot Norton among others were new to me.

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Memories and Milestones (Classic Reprint), by John Jay Chapman
Memories and Milestones (Classic Reprint), by John Jay Chapman

Rabu, 08 Juli 2015

Gentle Readers, 2015, by Thomas Thurman

Gentle Readers, 2015, by Thomas Thurman

Based upon the Gentle Readers, 2015, By Thomas Thurman information that our company offer, you could not be so confused to be here and to be member. Obtain currently the soft documents of this book Gentle Readers, 2015, By Thomas Thurman and also wait to be yours. You conserving can lead you to evoke the ease of you in reading this book Gentle Readers, 2015, By Thomas Thurman Also this is types of soft documents. You could actually make better chance to obtain this Gentle Readers, 2015, By Thomas Thurman as the suggested book to read.

Gentle Readers, 2015, by Thomas Thurman

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Gentle Readers, 2015, by Thomas Thurman

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Words, wonder, and whimsy: an anthology of all the poetry, cartoons, and "Something Wonderful" articles from Gentle Readers magazine. We'll answer the questions you never thought to ask, such as:

Gentle Readers, 2015, by Thomas Thurman

  • Published on: 2015-11-24
  • Released on: 2015-11-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .41" w x 6.00" l,
  • Binding: Paperback
  • 164 pages
Gentle Readers, 2015, by Thomas Thurman


Gentle Readers, 2015, by Thomas Thurman

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1 of 1 people found the following review helpful. A sparkling collection By Greyowl Ancient and modern, serious and funny and rude, Thurman has assembled a great set of verse and other tidbits. Very entertaining.

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Gentle Readers, 2015, by Thomas Thurman

Gentle Readers, 2015, by Thomas Thurman
Gentle Readers, 2015, by Thomas Thurman

Selasa, 07 Juli 2015

Whiskey Distilled: A Populist Guide to the Water of Life, by Heather Greene

Whiskey Distilled: A Populist Guide to the Water of Life, by Heather Greene

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Whiskey Distilled: A Populist Guide to the Water of Life, by Heather Greene

Whiskey Distilled: A Populist Guide to the Water of Life, by Heather Greene



Whiskey Distilled: A Populist Guide to the Water of Life, by Heather Greene

Ebook PDF Whiskey Distilled: A Populist Guide to the Water of Life, by Heather Greene

In the populist tradition of Andrea Immer, New York City’s first female whiskey sommelier translates today’s hottest spirit for a new generation of imbibers Whiskey is in the midst of a huge renaissance. Ten years ago, the United States housed sixty-nine craft distillers; today, there are more than four hundred. Exports of Scotch whisky grew 12 percent just last year. Sales are skyrocketing, and specialty bars are popping up around the country, from New York City to Chicago to Houston. Yet whiskey drinkers—especially novices—are more confused than ever. Over the past decade, whiskey expert Heather Greene has been bombarded with thousands of questions, including Can I have ice in my whiskey? Why is it sometimes spelled “whisky”? What makes bourbon different? As New York City’s first female whiskey sommelier, Greene introduces audiences to the spirit’s charms and challenges the boys’ club sensibilities that have made whiskey seem inaccessible, with surprising new research that shows the crucial importance of “nosing”whiskey. Through lively tastings, speaking engagements, and classes such as the popular “Whiskey as an Aphrodisiac,” Greene has been demystifying whiskey the way Andrea Immer did wine a decade ago. In this lively and authoritative guide, Greene uses bright visuals, an easy-to-read format, and the familiar vocabulary of wine to teach readers about whiskey and encourage them to make their own evaluations. Peppered with wry anecdotes drawn from her unusual life—and including recipes for delicious cocktails by some of today’s most celebrated mixologists—Whiskey Distilled will be enthusiastically greeted by the whiskey curious as well as by journeymen whiskey drinkers thirsty to learn more about their beloved tipple.

Whiskey Distilled: A Populist Guide to the Water of Life, by Heather Greene

  • Amazon Sales Rank: #468131 in Books
  • Published on: 2015-11-03
  • Released on: 2015-11-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.20" h x .70" w x 5.50" l, .70 pounds
  • Binding: Paperback
  • 272 pages
Whiskey Distilled: A Populist Guide to the Water of Life, by Heather Greene

Review “A helpful compass for those setting off on a first whiskey exploration.”—The Wall Street Journal“With every passing day, the peril of sounding like an idiot when talking about—or even referring to—whiskey grows. Don’t let it happen to you. You should know this stuff. With Whiskey Distilled, Heather Greene makes it easy for you. She makes it deeply enjoyable. And her comprehensive, essential guide to what you need to know about whiskey will make you want to start drinking whiskey immediately.”—Anthony Bourdain“Heather Greene surveys the ever-changing whiskey landscape, and all the nitty-gritty details, effortlessly in chapters that read like a night out with a friend at a bar. Her humble, practical approach makes this a must read for those who’d like a spirited guide along the whiskey trail. ”—Jim Meehan, author of The PDT Cocktail Book“Heather Greene distills whiskey down to its basic elements without losing any of the complexity of the spirit. Tasting notes: notes of strong experience, spicy storytelling, and bold wit.”—Éric Ripert, chef/co-owner, Le Bernardin“If ignorance is bliss, then I must sincerely resent Heather Greene’s excellent volume for decidedly diminishing my ignorance on the subject of whisk(e)y. Sláinte!”—Nick Offerman, author of Paddle Your Own Canoe

About the Author Heather Greene is the director of the Whiskey School at the Flatiron Room in Manhattan, which offers courses on tasting and history that sell out every time. She lives in New York City.

Excerpt. © Reprinted by permission. All rights reserved.

VIKING STUDIO

Published by the Penguin Group

Penguin Group (USA) LLC

375 Hudson Street

New York, New York 10014

USA | Canada | UK | Ireland | Australia | New Zealand | India | South Africa | China

penguin.com

A Penguin Random House Company

First published by Viking Studio, a member of Penguin Group (USA) LLC, 2014

Copyright © 2014 by Heather Greene

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

Photographs © Steve Giralt

Drawings by John Burgoyne

LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA

Greene, Heather.

Whiskey distilled : a populist guide to the water of life / Heather Greene.

pages cm

Includes index.

ISBN 978-0-698-16985-2

1. Whiskey. I. Title.

TP605.G76 2014

663'.52—dc23

2014022310

To Ms. Kathleen Mary Orr (aka mom)

Who’s always up for travel, shenanigans, and drinking whiskey with me

Title Page

Copyright

Dedication

 

Introduction: What’s a Spirits Sommelier?

CHAPTER 1

Whiskey Fundamentals

Appreciation 101 and Finding Your Palate

CHAPTER 2

Whiskey Making = Flavor Making!

From Grain to Bottle

CHAPTER 3

Whiskey Around the World

Scotch, American, Irish, Japanese, Canadian, and Rest of the World Whiskeys

CHAPTER 4

Building Your Bar and Your Confidence

Starter Collection Tips, Glassware, and More

CHAPTER 5

Cocktails!

New and Classic Favorites

CHAPTER 6

Whiskey and Food

Pairings for Every Occasion

Photographs

Acknowledgments

Appendix: Whiskey for the Wine Lover

References and Resources

Index

Introduction: What’s a Spirits Sommelier?

THIS IS A BOOK about whiskey, so I will begin it by describing my own first taste one summer between eighth and ninth grades. It happened on a Saturday afternoon behind Kenny Bash’s house. Kenny was the neighborhood troublemaker. As I sat on the hard plastic board of his rusted-out, squeaky swing set, dragging my bare feet back and forth on a patch of dirt, he handed me a plastic liter container of bright orange soda and commanded, “Take a sip.” After a quick swig, I gagged, and his cruel bray of adolescent laughter followed. “Take more,” he said. “It’s Jack.” This was dangerous territory and I knew it.

In a panic, I hurried back home, terrified that my parents would find out about the Jack. I shoved a fistful of grass into my mouth—I’d heard that grass hides the smell of alcohol. When my parents didn’t notice, I thanked my lucky stars and promised myself that I’d never drink whiskey again.

I’ve spent the past ten years breaking that promise.

Today I am the Director of Whiskey Education at The Flatiron Room Whiskey School in Manhattan and I teach whiskey classes there every week. I’m also the restaurant’s sommelier, which is a word that comes from nineteenth-century French and essentially means butler. I didn’t sit whiskey tests to become one (there aren’t any) nor do I mean to turn anyone off with a word that can sound pretentious. Truth is, what I do is very butlerlike: I roam the floor, serve guests, and pluck a few personal details out of them to help them find the whiskey they will love. “What wine or cocktail do you normally drink?” I might ask, or, “What do you like to eat?” Then I’ll hunt down the perfect whiskey—out of the thousand or so The Flatiron Room stocks—to suit their palate. On days I’m not at The Flatiron Room, I write about whiskey for a couple of magazines. And when I’m not doing that, I’m often out on the town with a friend or my husband, checking out a new cocktail bar or restaurant that serves my favorite spirit. I guess you could say I’ve essentially built a career on drinking Jack.

In a move my colleagues and a few friends found odd, in 2012 I left my “sweet-ass” job as a “whiskey ambassador” to join The Flatiron Room and write. As an ambassador to Glenfiddich, “world’s number one selling single malt Scotch,” I enjoyed dazzling perks like international travel and a corporate card that allowed me to buy a nice steak dinner for dozens at high-end strip joints and country clubs, if you’re into that sort of thing. I can rattle off some of the best places in the United States to find hedonistic entertainment, and I’ve played golf (badly) on famous courses like those at Turnberry in Scotland. I even climbed Kilimanjaro in Tanzania for charity during a blizzard wearing Glenfiddich-branded gear, and slept in it too, perched on the side of a cliff in a quivering tent. At each dinner, corporate function, golf tournament, charity gala, magazine interview, TV spot, fashion show, private yacht trip, private plane trip, car show, and even rodeo, my role was the same: to make my audience fall in love with whiskey. Oh, and to use Glenfiddich while doing it.

Someone asked every other night whether I “really liked Glenfiddich” or if there was some other whiskey I secretly drank in private. While I never admitted that I had secret lovers, I’d be true in my answer: I chose to work as an ambassador for Glenfiddich because I liked it in the first place, not the other way around. It’s also a brand that aficionados love for its collectibility and taste—I stood next to a bidder at the base of the Statue of Liberty during a Glenfiddich charity auction and watched in awe as he won the bottle for close to a hundred thousand dollars. It was a good gig.

But relationships evolve. I started to feel a nagging love for bourbon, rye, Japanese whiskies, Irish whiskeys, and a bevy of other exciting spirits, and soon I needed to spend more time with them, too. So Glenfiddich and I split. Whiskey monogamy just isn’t my thing. By the end of this book, it won’t be yours, either.

The most important thing I’ve learned by hosting events—whether they’re for a hundred corporate executives on behalf of a big whiskey company or for two guests at The Flatiron Room—is how to talk about it. And, while speaking to thousands (yes, that’s right, thousands) of whiskey drinkers, my goal is to demystify whiskey and answer questions like: How do you taste whiskey? What are you supposed to smell? Do you swirl whiskey like wine? Can you put ice in a whiskey? Water? What does “small batch” mean? Why is Johnnie Walker Blue so expensive? What is moonshine? Why does this bottle say non–chill filtered? How do you store it? Can you make money by investing in it? Can women drink it?

Today, American whiskey sales alone top $1 billion, up from $376 million about a decade ago. Its popularity is growing faster than the good information available on the topic. And some of the advice out there is just plain off the mark. I’ve read blogs written by brutish whiskey fans that say certain (critically acclaimed) brands aren’t even good enough to use as a toilet cleaner, and that to drink them means you have no taste. But taste is subjective. I’ve heard brand ambassadors explain that whiskey won’t make you drunk, but tequila will. Nonsense. I read nosing notes on Web sites and in books that go on for as many pages as Moby Dick. But the truth is, most experts can realistically identify five distinct aromas. I listened to a tourist guide for a famous American whiskey distillery explain to thirty of us that all Scotch tastes like smoke. Not true. My role here, then, is to sift through all the junky information out there, and give you a real primer of whiskeys, so that you’ll be able to identify bunk like a champ and become an expert yourself. You’ll taste along the way and have fun, too.

And the Number One Question Is...?

“How did someone like you [a chick] get into whiskey?” It’s a question asked a dozen times per day and sometimes I just don’t feel like explaining myself—I’d prefer to get right into nosing and tasting. But someone like me needs to “establish credibility,” according to one CEO who attended my tasting. I resisted that advice for years, but he was right. Now I always explain my background. The result? First, guests cease fact-checking things I say with their iPhones tucked under the table, and second, I don’t have to answer “Do you really drink this stuff?” after I’ve taught a ninety-minute class.

How I Got into Whiskey

Before whiskey, there was music. As a professional solo musician for close to ten years, I poured my heart and soul into the creation of song, the rigor of touring, the passion of singing, and the pure joy of playing keyboard. I had recorded two albums, which received wildly wonderful reviews in New York City, and I was performing in front of rapidly growing audiences.

From the outside, my music career appeared wonderfully on track, but my bank account told a different story. After I’d had one sold-out concert in New York City, an appearance on WFUV in New York, and even a European Rolling Stone review in anticipation of an upcoming tour, a friend (who had also just completed a European tour with a world-famous musician)  asked me for twenty bucks because “cash flow was tough.” We were on the corner of Broadway and 4th Street, right next to a boarded-up Virgin Records store. I went to get money, and instead of hearing the comforting electronic patter of bills being sorted inside the ATM machine, the dreaded Funds Not Available sign flashed on the screen. We walked back to the club where we had just performed and shamelessly asked our bass-player friend to get us both—two “professional” musicians—home in his truck. The advent of new technology and iTunes had officially tossed the music world upside down, and none of us were making money anymore. What should have started looking like a lucrative (finally!) career became a barrage of confusion, record-label fights, and overall heartbreak for just about every musician I knew, including myself.

Around this same time, my husband was accepted to graduate school in Edinburgh, Scotland. We packed our stuff and left Manhattan during the fall of 2005. I very quickly went from a “struggling musician with promise” to a struggling musician, period. The high of an Italian performance in Rome was followed by the lows of phone calls I made begging the label to pay me what they owed. My life became an emotional roller coaster, and I was terribly homesick for the fast-paced New York life we’d left, with my community of musicians, weekly gigs, and the easy access to recording studios. During one of my lavish pity parties, my husband turned to me and said that I really needed to do something. So I went out drinking.

I was hired on my first day out “looking for something to do” by a gentleman called Douglas McFarlane, who spoke with a chowder-thick Scottish accent and managed the Scotch Malt Whisky Society (SMWS), a private membership bar for Scotch whisky lovers. I learned about the job by reading a Help Wanted ad in a local paper and it seemed like a fun way to meet some cool people and be Scottish-y. In my experience, working in restaurants and bars immerses one quickly into a local scene and its cast of characters. That it was a whisky venue was a total bonus. I’d discovered that I liked whiskey when I was working as a waiter at the Union Square Café in Manhattan. The beverage director there had conducted a few whiskey tastings to help the staff better sell the stuff and I realized that there was more to whiskey than taking a shot or mixing it with Coke.

The SMWS lives in a corner of a Harry Potter–esque seventeenth- century green and wet stone building. Two large fireplaces flank one side of an oak-lined room. One of the employees would later show me how to wrap my fingers around panels, moldings, door frames, and windowsills to scale the periphery of the room without touching the floor, like a rock climber. That’s what British schoolboys sometimes do, I learned. To the left of the front entrance of the room, there is an exquisite collection of whiskey, representing almost every distillery that has ever operated in Scotland. Bottles line shelves in neat rows and bartenders serve whisky from a small, shiny wooden bar. Members take their “dram” to one of a few long library tables and enjoy it alongside the daily paper and a tuna sandwich. When I worked there, guests at SMWS included a smattering of locals who chatted about how to salmon fish or grow brambles, and a few passing American Scotch-drinking enthusiasts on their way to play golf at places like St. Andrews.

I spent my first day at the SMWS with Doug, tasting cask-strength whisky (whisky straight out of the cask at a higher proof), playing with a miniature whisky-making model, and testing my sensory skills with a nosing kit that always sat on the bar for guests to test their sense of smell. The kit held little samples of lavender, herbs, spices, and vanilla tucked into little glass jars. Douglas’s passion for whisky echoed my own for writing songs and performing; he talked about flavor and smell with the same fervor I talked about keyboard riffs. I was hooked—creativity and sensuality lived in whisky making and appreciation, too. From that point on, my life would be a balancing act between two great loves.

Within a few months of my working at SMWS, Doug invited me to sit with a bunch of whisky experts to do cask tastings and discuss whether the whiskies we tried were delicious enough to bottle and sell under the SMWS label. In a strange twist of fate, one of the regular panelists backed out for a singing gig, so I took his spot. I was very nervous. I was still a student, I felt, not yet someone worthy enough to be on a judging panel.

Tasting whiskey and writing notes about it, it turns out, is a good time. I approached the task the same way I’d sit down to write a song: without self-ridicule and with eagerness. And because I had worked in so many Manhattan restaurants with killer wine lists, I figured some of the same notes I used to describe wine to guests could also describe whiskey characteristics. I was right. Whiskey, wine, and even music share a common language or, pun intended, notes. Here are a few examples that come to mind: “vanilla” (Barry Manilow), “honeyed” (Ella Fitzgerald), “complex” (Bob Dylan), “rich” (Adele), “fresh and thin” (Taylor Swift), “bold” (Eminem), and “smoky” (Peggy Lee).

So there you have it. I honed my whiskey chops by both channeling my passion for music into it and capitalizing on a wine vocabulary amassed from years of restaurant work.

A Note for You Wine Lovers

I make comparisons between whiskey and wine throughout the book because I know many of you come to whiskey with a working knowledge of the wine world. I see this in my classes and in the type of questions I get, like “What vintage is particularly good for whiskey?” Pascaline Lepeltier, a skilled sommelier who runs what The New York Times called the best wine program in New York City at Rouge Tomate, has given me some additional insight about whiskey from the wine perspective. We once hosted a class together called Whiskey for the Wine Lover, and I admired her ability to help narrow whiskey choices based on wine so much that I’m including her recommendations in this book. I’m also excited about our quick-look whiskey versus wine chart. You’ll find both of these charts in the appendix at the end of the book.

We’ll Make Cocktails, Too

Hemant Pathak and Alex Valencia, two bartenders I work with at The Flatiron Room, will provide you with ingredients and techniques for how to make a fabulous whiskey cocktail in chapter 5. The three of us spent countless hours experimenting with different whiskeys, each with varying flavor profiles, to come up with a few fun cocktails for you to try at home. We’ve included both simple concoctions and ones that challenge the skillful chef. I don’t know many bartenders who are skilled at making such mind-blowing whiskey drinks as these men are, but what really impresses me about both Alex and Hemant is their elegance and humility behind the bar, as well as the cultural element they bring to their cocktail making. Hemant, who was born and raised in India, will cultivate your whiskey love by combining the spirit with ingredients like cardamom and Darjeeling while Alex’s playful use of smoke and fruit are a nod to mescal and the vibrant colors that surrounded him as a boy in Mexico.

But first, the fundamentals. In the next few chapters, we’ll dive headfirst into the basics: whiskey appreciation, how to discover your palate, whiskey regions, and whiskey making 101. And the best part? I’ll guide you through tastings in each chapter. And, I’ll cultivate your whiskey love by introducing you to distillers, writers, master blenders, scientists, chefs, restaurant owners, and even whiskey-loving presidents.

So drink up! We’ve got a whole world of whiskey to explore.

1

Whiskey Fundamentals

Appreciation 101 and Finding Your Palate

What Is Whiskey?


Whiskey Distilled: A Populist Guide to the Water of Life, by Heather Greene

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Most helpful customer reviews

18 of 18 people found the following review helpful. Great book from whiskey expert (and now author) with a refreshing perspective and wonderful, engaging voice By Ken "Whisk(e)y Distilled: A Populist Guide to the Water of Life" is a wonderful read that provides a comprehensive understanding of the culture of whiskey, including details of its creation in different countries and different regions within those countries, the terminology involved relating to that creation and how it is presented to consumers, and the author's experiences in these different regions. Moreover, there are fascinating details involving whiskey connoisseurs, even down to an apparent controversy involving how to spell "whiskey" (vs. "whisky) and examination in the use of one's olfactory senses (including the science of smell!) But the best part that permeates the whole book is Heather Greene's engaging voice which is refreshing, honest, and completely down-to-earth. Her egalitarian approach to whiskey is there's no right or wrong way to drink it but only what best suits one's own palate. And she encourages readers to employ any number of combinations to fully explore what appeals to those palates and being open to discovering new tastes. Anyone with an interest in whiskey, food & beverage, or who want to experience a new author in the field of her expertise should read this book or get it for a friend with an interest in any or all of the above.

11 of 11 people found the following review helpful. In the end, I liked this book a lot By EMSHED I enjoyed this book a lot. I am very knowledgeable about whisk(e)y and I still feel like I learned a few things -- I'd always wanted a book that would clear up some niggling gaps or errors in my spirits knowledge, plus it can be fun reading a well-written perspective on a familiar subject.For the beginner, this seems like a great introduction that lays out the wonderful world of whiskey. I can't really think of any element or aspect of whiskey that Greene omitted. It's definitely breezy -- some subjects crying out for more attention or depth get mentioned only briefly -- and in the beginning, I thought Greene was going to over-sell her credibility and credentials with a lot of "God, how awesome am I?" bragging. But it subsides, or rather, I grew accustomed to it, and it doesn't make the book less worthwhile.When I clapped the book shut after reading the last page, I said to no one in particular, "That was good!" So that's my bottom line. It's not a classic or a game-changer/paradigm shifter, but it's a fun, interesting book about a subject I'm passionate about. And while it didn't always go as far as I would've liked, there really wasn't anything that made me think "What?" I suspect that this will be a book I pick up and re-read every other year (which is something I do with books I've enjoyed).

4 of 4 people found the following review helpful. Heather Greene has created the whiskey book I have been looking for. By Kovar Mcclure Heather Greene has created the whiskey book I have been looking for. Taking me from zero to hero in a short time. I have always loved whiskey (bartending for years) and am starting my home whiskey collection just as this book happened to hit the shelves. Lucky me. I now have the entry point I needed to create the collection that fits my personality and also be knowledgeable about it. Mrs. Greene has organized the material in a way that is easily digested and accessible to the enthusiast like myself. Already I am going back over the passages I highlighted to remember to use and impress my friends as we taste different whiskeys in my home. Great read, and great info. Well done.

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Whiskey Distilled: A Populist Guide to the Water of Life, by Heather Greene
Whiskey Distilled: A Populist Guide to the Water of Life, by Heather Greene